She is more, she hopes
than the sum of her parts
but she lacks much faith
in that wholeness.
As a child she was taught -
and was quick to learn -
the importance of
of covering the flaw.
It's a useful strategy,
this 'normalisation'
of that which must
otherwise sicken
though a life-time
churns to sick despair
as her assets dwindle
with the years.
She was not quite taught
but she grew well aware
of the parts that loomed
in importance:
breasts should be full
but pert and firm,
high on the wall
of the chest;
legs, tapered,
hairless, long,
golden or sheathed
in sheer nylon;
eyes, child-like,
adoring, wide,
smouldering
or wild.
Necks, swan-like,
skin, scented;
hair, thick
and glossy;
bottoms, small,
tight and round;
lips, pouting,
moist;
hands, dainty;
bellies, flat;
wrists and ankles,
slender;
noses, freckled,
sun-kissed, cute,
snub or
just upturned.
But tongues are wagging,
probing, sharp,
shrewish and
often unbridled;
wombs, which are
too apt to fall,
have little
lasting use.
Vaginas have more merit
but must be snug;
and labia, neat
and unobtrusive;
ovaries are neither
sexy nor smart,
and the clitoris
just an excuse.
So, though she tries
to integrate herself,
experience mitigates
against it;
life teaches her
to conceal those flaws
in the absence of which
she is unreal.
Her one good eye
may see well enough
the irony of her
predicament;
but her blind eye sees
what she might have been
and turns its dull gaze
to the wall.
Thursday, 15 April 2010
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